Bad Bunny opened in what looked like sugarcane fields worked by dancers dressed in the straw hats of jíbaros (Puerto Rico’s rural farmers). Against this pastoral backdrop, Bad Bunny stood looking modern and fly, in a boxy white shirt patterned like an NFL jersey. He was rapping in Spanish to his smash “Tití Me Preguntó,” but the pigskin he held in his hand and the tie around his neck conveyed a clear message to any viewer. He was here for business. He was here to play ball.