Zelda Harris, left, and Delroy Lindo in Spike Lee’s “Crooklyn,” from 1994.
2026-02-20 1032词 晦涩
It’s a radically shaggy work, and Hollywood had little taste for that kind of multiplicity in Black art. Harris’s film is one of the selections, in a month celebrating Black history, that did manage to make it to screens, while maintaining visions that were rich, sharp and teeming with life.
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