‘A palette unlike anything in the west’: Ben Okri, Yinka Shonibare and more on how Nigerian art revived Britain’s cultural landscape
“与西方毫无相似之处的色彩”：本·奥克里、颖卡·肖尼巴雷及更多人谈尼日利亚艺术如何复兴英国的文化景观
From Lagos to London … (clockwise from bottom left) Chimamanda Ngozi Adichie; Yinka Shonibare’s ‘Refugee Astronaut’; Skepta; Sade; Ben Okri; Wole Soyinka; Fela Kuti.
2025-10-13 2672词 晦涩
It is important to stress that these were not artists creating in isolation. They were in touch with the currents of world art, as can be seen by the responses to cubism in many works of sculpture. It was not a response as such but a taking back, a retrieval, of what cubism took from Africa.
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